“There's no Chanel collection without black. (It) will never exist. Who can live without some black clothes.”
Early life
Lagerfeld was born in Hamburg, Germany. He has claimed he was born in 1938; however it has been reported that he was actually born in 1933 (according to the local christening register); indeed the German newspaper Bild am Sonntag has quoted his former teacher and classmates as confirming the earlier date.[2] He is known to insist that no-one knows his real birth date: Interviewed on French television in February 2009, Lagerfeld said that he was "born neither in 1933 nor 1938."[3] His older sister, Martha Christiane (a.k.a. Christel), was born in 1931. Lagerfeld also has an older half-sister, Thea, from his father's first marriage. His original name was Lagerfeldt (with a "t"), but he later changed it to Lagerfeld as "it sounds more commercial."[4]
Karl's father is from Vladivostok, Russia; his mother is from Berlin, Germany (according to "Lagerfeld Confidential", Marconi Rodolphe, 2006). Though Lagerfeld has stated that his father was Swedish, journalist Alicia Drake in The Beautiful Fall (Little, Brown, 2006) established that Karl's father, Otto Lagerfeldt, who worked as a distributor at a company introducing condensed milk to Germany, was indeed German. According to Drake, Lagerfeld's mother, Elisabeth Bahlmann, was a lingerie saleswoman in Berlin when she met her husband and married him in 1930.
Karl Lagerfeld moved to Paris in 1953. Initially he worked as a draftsman for fashion houses. At the time, in fashion, drawings were preferred over photographs. Lagerfeld is able to recap any costume style in European history at the drop of a hat, e.g., explaining collar styles used in 1710 Germany, as he has demonstrated in a German television series in the 1980s.
In 1955, at the age of 22, Lagerfeld was awarded a position as an apprentice at Pierre Balmain, after winning second place, behind Yves Saint-Laurent who came first, in a competition for a coat sponsored by the International Wool Secretariat. He told a reporter a few years later, "I won on coats, but actually I like designing coats least of all. What I really love are little black dresses." Yves Saint Laurent also won the contest for a dress award. "Yves was working for Dior. Other young people I knew were working for Balenciaga (Spanish Basque fashion designer and the founder of the Balenciaga fashion house), whom they thought was God, but I wasn't so impressed," he recalled in 1976.[5]
In 1958, after three years at Balmain, he moved to Jean Patou, where he designed two haute couture collections a year for five years. His first collection was shown in a two-hour presentation in July 1958, but he used the name Roland Karl, rather than Karl Lagerfeld (although in 1962, reporters began referring to him as Karl Lagerfelt, and Karl Logerfeld.) That first collection was poorly received. Carrie Donovan wrote that "the press booed the collection." The UPI noted: "The firm's brand new designer, 25-year old Roland Karl, showed a collection which stressed shape and had no trace of last year's sack." The reporter went on to say that "A couple of short black cocktail dresses were cut so wide open at the front that even some of the women reporters gasped. Other cocktail and evening dresses feature low, low-cut backs." Most interestingly, Karl said that his design silhouette for the season was called by the letter "K" (for Karl), which was translated into a straight line in front, curved in at the waist in the back, with a low fullness to the skirt.
His next collection, for spring 1959, was a vast improvement according to Carrie Donovan, who noted that the press "applauded widely and even shouted several bravos." She wrote that "His clothes... have a kind of understated chic, elegance, and just plain 'class' that has not been seen on this side of the Atlantic since Molyneux and Mainbocher closed up shop."
His skirts for the spring 1960 season were the shortest in Paris, and the collection was not well received. Carrie Donovan said it "looked like clever and immensely salable ready-to-wear, not couture." In his fall 1960 collection he designed special little hats, pancake shaped circles of satin, which hung on the cheek. He called them "slaps in the face." Karl's collection were said to be well received, but not groundbreaking. "I became bored there, too, and I quit and tried to go back to school, but that didn't work, so I spent two years mostly on beaches – I guess I studied life."
Freelance career (1962–1982)
After leaving Patou in 1962, after launching himself as a freelance designer, working with brands such as Mario Valentino, Repetto, and the supermarket chain Monoprix and with financial backing from his family, he set up a small shop in Paris. At this time, he would often consult with Madame Zereakian, Christian Dior's Armenian fortune teller. Lagerfeld later said, "She told me I'd succeed in fashion and perfume."
In 1963, he began designing for Tiziani, a Roman couture house founded that year by a man named Evan Richards (b. 1924) of Jacksboro, Texas. It began as couture and then branched out into ready-to-wear, bearing the label "Tiziani-Roma -- Made in England." Lagerfeld and Richards sketched the first collection in 1963 together. "When they wound up with 90 outfits, Tiziani threw caution and invitations to the winds, borrowed Catherine the Great's jewels from Harry Winston, and opened his salon with a three-night wingding," according to one report in 1969. Lagerfeld designed for the company until 1969. Elizabeth Taylor was a fan of the label (she referred to Evan as "Evan Tiziani") and began wearing it in August 1966. Gina Lollobrigida, Doris Duke and Principessa Borghese were also customers while Lagerfeld was designing the line. He was replaced in 1969 with Guy Douvier.
Lagerfeld had begun to freelance for French fashion house Chloe in 1964, at first designing a few pieces a season. As more and more pieces were incorporated, he would soon design the entire collection. In 1970, he also began a brief design collaboration with Roman Haute Couture house Curiel (the designer, a woman named Gigliola Curiel, died in November 1969.) His first collection was described as having a "drippy drapey elegance" designed for a "1930s cinema queen." The Curiel mannequins all wore identical, short-cropped blonde wigs. He also showed black velvet shorts, to be worn under a black velvet ankle-length cape.
His Chloe collection for Spring 1973 (shown in October 1972) garnered headlines for offering something both "high fashion and high camp." He showed loose Spencer jackets and printed silk shirt jackets. He designed something he called a "surprise" skirt, which was ankle-length, pleated silk, so loose that it hid the fact it was actually pants. "It seems that wearing these skirts is an extraordinary sensation," he told a reporter at the time. He also designed a look inspired by Carmen Miranda, which consisted of mini bra dresses with very short skirts, and long dresses with bra tops and scarf shawls.
In 1972, he began to collaborate with Italian fashion house Fendi, designing furs, clothing and accessories.
Starting in the 1970s, Lagerfeld has occasionally worked as a costume designer for theatrical productions. He collaborated with stage directors such as Luca Ronconi and Jürgen Flimm, and designed for theatres like La Scala in Milan (Les Troyens by Hector Berlioz, 1980; directed by Ronconi), the Burgtheater in Vienna (Komödie der Verführung by Arthur Schnitzler, 1980; directed by Horst Zankl), and the Salzburg Festival (Der Schwierige by Hugo von Hofmannsthal, 1990; directed by Flimm).
International fame (1982–present)
At the time, he had also been maintaining a design contract with the Japanese firm Isetan, to create collections for both men and women through 30 licenses; had a lingerie line in the US, produced by Eve Stillmann; was designing shoes for Charles Jourdan, sweaters for Ballantyne, and worked with Trevira as a fashion adviser.
Lagerfeld designed the costumes for the Carmen sequences in the 2002 film Callas Forever. In 2004 he designed some outfits for the international music artist Madonna, for her Re-Invention tour, and recently designed outfits for Kylie Minogue's Showgirl tour.
Lagerfeld collaborated with the international Swedish fashion brand H&M. On November 12, 2004, H&M offered a limited range of different Lagerfeld clothes in chosen outlets for both women and men. Only two days after having supplied its outlets, H&M announced that almost all the clothes were sold out. Lagerfeld has expressed some fear that working with lower-end brands will taint his image, although in the past he has worked closely with the exclusive hosiery designer Wolford.
Lagerfeld is also a photographer. He produced Visionaire 23: The Emperor's New Clothes, a series of nude pictures of South African model David Miller. He also personally photographed Mariah Carey for the cover of V magazine in, 2005. In addition to his editorial work for Harper's Bazaar, Numéro and the Russian and German editions of Vogue, Lagerfeld photographs advertising campaigns for the houses under his direction (Chanel, Fendi and his eponymous line) every season.
In the 1980s, the Hans Christian Andersen tale "The Emperor's New Clothes" was published with drawings by Lagerfeld.
The designer was also the subject of a French reality series called Signé Chanel in 2005. The show covered the creation of his Fall/Winter 2004–2005 Chanel couture collection. It aired on Sundance Channel in the United States during the fall of 2006.
He has also supported and encouraged the work of up and coming designers including Philip Colbert of Rodnik.
On December 18, 2006, Lagerfeld announced the launch of a new collection for men and women dubbed K Karl Lagerfeld. The collection will include fitted T-shirts and a wide range of jeans.[6]
Karl Lagerfeld has signed an exclusive deal with Dubai Infinity Holdings (DIH); an investments enterprise that will focus on first of its kind projects in non conventional growth sectors, in line with their mandate to fulfil unmet market needs. Karl Lagerfeld is to design limited edition homes on Isla Moda, the world’s first dedicated fashion island, set in the iconic development, The World. This will be an exclusive collaboration between Dubai Infinity Holdings and Karl Lagerfeld across the GCC and India.
Lagerfeld is the host of fictional radio station "K109 - The Studio" in the videogame Grand Theft Auto IV.[7]
Karl Lagerfeld has been immortalized in many forms: pins, shirts, dolls, and more. In 2009, Tra Tutti[8] began selling Karl Lagermouse and Karl Lagerfelt, mini Karl's in the form of mice and finger puppets respectively.
Future projects, At 8pm on October 23, 2010 Karl will be hosting a musical showcase of his three favorite bands at the Legion in Brooklyn, NY. Karl plans to challenge all comers, Großkatze.
Controversies
In the early 1990s, he caused US Vogue editor-in-chief Anna Wintour to walk out of his runway show when he employed strippers and adult film star Moana Pozzi to model his black-and-white collection for Fendi.
Lagerfeld was the target of a pieing by PETA in 2001 at a fashion premiere at Lincoln Center in New York City. This was in protest of his use of fur and leather within his collections. The tofu pies hurled by the protestors went astray, however, and hit Calvin Klein (described by PETA as 'friendly fire').[9]
Lagerfeld has launched himself into a bitter battle with animal rights activists after defending the use of fur in fashion. The German boss of fashion house Chanel claims anti-fur protesters are "childish" and argues hunted animals would kill their human predators if they could. Lagerfeld says, "In a meat-eating world, wearing leather for shoes and even clothes, the discussion of fur is childish."(In the north, hunters) make a living having learned nothing else than hunting, killing those beasts who would kill us if they could kill us." Michael McGraw, spokesperson for People for the Ethical Treatment of Animals (PETA), replied, telling the New York Post, "Lagerfeld seems particularly delusional with his kill-or-be-killed mentality. When was the last time a person's life was threatened by a mink or rabbit?"[10] Karl used faux fur in his last winter collection.
Recently, Lagerfeld was incorrectly identified as being engaged in a bitter feud with supermodel Heidi Klum. In 2009, the quotation, “Heidi Klum is no runway model. She is simply too heavy and has too big a bust. And she always grins so stupidly. That is not avant-garde - that is commercial!” is mistakenly attributed to Lagerfeld when it was, in fact, spoken by Wolfgang Joop. Lagerfeld remarked that neither he nor Claudia Schiffer knew Klum as she has never worked in Paris.[citation needed]
Karl's Signature Colours>.]
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